FOR THE CHILDREN.

Gisborne Times, Volume XXVII, Issue 2682, 11 December 1909, Page 4 (Supplement)

FOR THE CHILDREN.

&S&, 0? OXA M wms& cj&mjLh ■'m&f v&mzxsnr a- tse**®.-- ,«r«f 36« j wa-m'x lit '&oxafjr witS^ tx ■.''/■ 'S <cop„ "f:-< ; Tea* :«v ; "et>t 5. -cut- 1 ictxg ni.~j .%■ & ik ymrar--h , dkgp Kh‘.7 pry^rrhkn 4b tv po cn the 'tfA/zy *#4 Y&& *js3t see* p if /!Oct itjjJC tsj.'.''’ P&6 wpfjpffes, to he a s!h '.v*£n jfe iuzza ago 3 ;5 pr.cfe'- SfePfi ik-gf SKsf*x «yfi that k :i#rh a .tf tiey aiaKed the d»t a- nm mhiite itr i-'vey hi. Jjfessiw.;* n * **?% mm, i;(A Beacrvte in xrpsetb. He aij? fa&vr.&t'it pik-a-pj- Why? Well 3-e «5 yiiC-S. srt dog; he can do-i-a.ytiius.gt pit hiss wrong. gS«Mfc j3s tfeth- thap 1 hhe ios teca.iso -re/f .Ptch a. gept, sincere dognasftSi 56. fpe pa-as'SJttasrp prays trartS& 3* i-t caryf p c: Beatrice a*, a- jti*£t 'Ctniuf te. H-c has never let her cncar. Tex; Beatr.ce A a good Siffife The ma->e htgt are none retpenaib'e pssfv.r3ksVi- S.'3X jsfewad hsc females ire ifhgxty. gtet hhe sees and women. —ccy the way f ' Thar,.* i; msfe cf 3ihs CassecT'i a?-* -ci-bet. m titerr ilex-can Vfisa&f fjhrhmamna. peomarrre-d lihe- - eT0..0-0-wtn.n-r nai.'' Chaster this. Ct£.oeddi hashh the Chdanxhtn _ Lec-ome-gyra-xs-tte _ and .acrt-t-iti —and mere.. .-ore cf their teats, are mtrtns;ctl; T crgnrtry. hit in s&ptx ertracrcinary thatdtgi "aEfflSsd perftrm. them. pabL* jtvet rncn.nrgm.ty. Te-tjrhe motcrsar feat t£ trrxmmettly wetyirrented;, ft is a catdxe yar->ty_ cf Homo that crimes, amt amines, even prcfessional! criti-m,, with. £he the Henna ? Itv'*' a Esße weary. Turn- docs mrive cm to the state in a. new mttoricar. wroth tr-met and stops,, animated by" edorhwerk. ite etherdogs the in”: the dtg maafsar startsthe dfeemwerk. and" they motor cr the share- An exp*rsicm is heard: hack : comes a cog. howling and writhing—ewid.ently there has been an accident O.P. Another dig do-hows. Imp. at and racing; g-iaho'y t-e_os had' 7 hart. Then l seme the rest cf the dogs, mutely and : ; sadly, ocsbrg and Jbankrg at the re- . Icctant motcr-car. xtcy have managed - all the "t-cslnesv* wothoct Inteherence; ; and the andience inrariably applauds 1 heartily The feat d real./ clever and . mo_.. How do the cogs do it? 1 mem-cry/' says Tliss Casselli. I -'itey ieam, and they remembef; ■ never forgetting. Sometimes I mj-elf f have forgotten a mock, her the dog».2s : remembered. I teach them one movc- :; meat, and they remember. Then, ano- : ther movement, and they remember. 1 And so- on until all the little pile up i into the- lot you see on the stage. Anybody could co it, with patience and kindness; bet- —well, anybody doesn't. Von have to look after the degs last as you'd loc-k after cniicren or babies, or men and women. Beally, they're very like men and women, ihey're moved by just- the same impulses, and they show their emotions in jest the same way. ‘They have different talents, and I take an instinct 2nd develop It. Montezuma, now—he's 2 hind-feet jumperr j he dees that letter than tke others; it’s his speciality. Navajo-e is a clown—a natural clc-wn—-it delights him to play the fool. Beauty is a balancer—a natural balancer. Linda grabs the rope when I throw her up. She can't do anything else very well, but she can come down a rope splendidly. They’re just as different- as human beings. ‘•'And in disposition, too. Chiauito Is a useful dog, but he is always quarrellso jealous. I’ve had him 13 years, and he wants to do all the tricks and get all the credit. He hates another dog to do a good thing Quite a lotare fond of applause; yes, and recognise it, too. And some wait for it — just like an actor. Roosevelt, for instance. He looks round at the audience and takes all the clapping to himself—quite pleased. No, be can t bow, but I'm quite sure he understands the applause is for the trick, and looks for it. Bonita, too. “All the dogs realise that they are public performers. They Tove light, and the performance is their performance. I direct- it- in a way. but once they have learned how it goes the dogs take charge. Each dog knows when his turn comes, and he* takes his turn—t daren’t interfere, or else there'd be trouble. All I do is just to watch out for hitches; the dogs give the performance. At the same time they rely on me; they won’t work for anybody but' me. “I realty love them,- and ? Of course I’ll keep tbem -when we quit performing. They give a lot of trouble, but- they’re worth it. I'm not tired exactly, but I want a change — want to be audience, and criticise other people—you get that way. So one of those days the dogs and I will retire to a farm.